Posts Tagged with kid lit

Duncan Versus the Googleys – Kate Milner

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There have been many original stories published for children aged 7 to 9 year years in the past few years. This is certainly one of them.  Duncan versus the Googleys would come near the top of this list for its quirky, wacky and original story-line which make it a very unique story. Duncan is sent to live with his Great-Aunt for the summer holidays, who is not pleased to see him. However, all is not what is seems in Arthritis Hall.  With the help of the caretakers daughter Ursula, Duncan begins to unravel what is going on.  This story will keep readers of all ages intrigued and engaged with its unravelling plot lines and all sorts of quirky ‘incidents’ where you never quite sure what will happen next. It comes with a warning that if you prefer linear and predictable stories this may not be for you:

“It is only fair to warn you, before we go much further, that so much in this story is upside down, backwards, twisted, devious and downright peculiar. It is not a story for the faint-hearted. …….If you are the kind of person who likes things to plod along in a predictable fashion from A to B then this story is not for you.  I would suggest you go and do something useful instead, like sorting out your socks. ” (p12)

One of the fascinating things about Kate Milner’s story it the way an online game world is intertwined with the mysterious goings on in a big large house.  Duncan loves playing a game called Poo-Chi Planet. So does an old lady called Mrs Pettigrew!  Duncan has three gaming friends that live in other parts of the world: RatboyRyan ( Australia) Kobe (Kenya) and a Chinese girl called Zhang who lives in Shanghai. When Duncan and Ursula get into a tricky situation with an unusual robotic monster called Fluffkin, can the coding and hacking skills of his gaming friends help them understand this monster in time to save the day?

If this hasn’t already got your attention there is plenty more going on. Duncan’s Great-Aunt is gathering a collection of crooks and villains for her big plan. They are gathering under the disguise of a ‘Knitting Circle’.  The illustrator had added some of her own illustrations which really help to bring some of the characters to life. The Great-Aunt also seems to have some way of seeing what goes on everywhere (well almost everywhere) in this big large house, but luckily for Duncan Ursula knows many secret passageways. There is also a plot to unravel about who the Googleys are and what their connection is to Arthritis hall.

There is both a directness and unique perspective to the narrative voice. Which helps to bring it all together. It provided just the kind of wry humour and observational perspectives that I needed to distract me in these extra-ordinary times we are currently living in.

I would highly recommend it to children and adults aged 8 to 88 years. Please note because the plot jumps about a bit, some less confident readers may need an adult to share this story with them – but then again they may be more than happy to be absorbed in all the quirky and slightly off the wall detail!

You can buy a copy from my small online bookshop, Readers that Care, here.

Thanks to Pushkin Press for a free copy to review. You can find about other books they publish here.

 

   

 

Tiger Skin Rug by Joan Haig – Book Review

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I really enjoyed this story by debut author Joan Haig. It conjured up a real sense of place in both Scotland and India. I love stories that cross genres. This provides an intriguing balance of family drama, real-world adventure and mystery mixed with magical realism. It is filled with some great description and action, with several twists and turns to keep your attention. There are also some important messages about family and what it means to belong. I would highly recommend for children aged 9+ years.

Lal and his brother Dilip have recently moved to Scotland with their mum, dad and Naniji from India. They are homesick. Their parents bought the house from an old lady together with the furniture. One day Dilip finds the tiger skin rug in the living room is real, and can magic into a real talking tiger.

“Something – what was it? – was rippling, across the tiger skin, rippling from underneath it. The ripples were growing…” (p21)

The tiger needs their help to  unravel some secrets and honour an old promise and in return for their help he promised to take them home. This takes them on a journey first to a closed-down auction house near Waterloo station, then to Coventry in search of a professor and onto India, as it turns out the professor is at a conference there.

There is a wonderful part in the first few chapters where local girl Jenny confuses the Scottish for ‘lassie’ (a girls or young woman) with the Indian drink ‘lassi’ (an Indian yogurt drink). The way that the author handles this helps the reader understand what it might be like to be in a new place and to explore ideas relating to belonging.

“My lassi filled me with happiness – cardamom, brown sugar and Indian sea-sides; tangy tastes of things I missed, the sweet and sour of home. Jenny liked her milkshake and gulped it down: maybe she was OK, after all.” (p19)

You do have to take a little leap in the part where they fly on a magic tiger rug all the way to India! But, once in India descriptions make you feel like you are really there. The shift to India has been made easier for the reader by the author’s decision to start the story in Scotland. This means the reader experiences India through the eyes of a child who knows it well but whom is also delighted to return. Which somehow makes it feel less foreign (for those that don’t know India) Though even Lal discovers there he has things to learn about the contrasts between the rich and the poor in India.

The children finally track down Menko Chatterjee (the University professor). and he and the children return to the Indian forest where he grew up. For a truly special ending and a few final twists. Danger still lurks and will the tiger get to complete his mission? You will have to read it to find out!

 

You can read my chat with the author here
You can buy the book from Cranachan publishers here.

 

Tiger Skin Rug – a short chat with author Joan Haig

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Welcome to my  post on the Tiger Skin Rug blog tour.  Joan Haig’s story is an exciting story about two siblings called Lal and Dilip, their new friend Jenny and a magical tiger. The Tiger needs their help to unravel some secrets and help a friend.  It begins in Scotland and during the story they also go to India. It struck me was how vividly the author conjures up a sense of place. From getting a sense of  the features of ‘Greystanes’ house in Scotland to feeling like you were in India.  I I was intrigued to know how the Joan Haig’s  life experience may have influenced her writing.  So I asked her a few questions.
a) What influenced or inspired you to write a story connected to and set in India?

” As a teenager I volunteered for four months with a charity working in an impoverished area of Hyderabad in Northwest India. It’s such a beautiful country with so many extremes. Then, ten years later, I researched and wrote an ethnography – a study of the culture – of the Hindu minority living in Lusaka, in Zambia. The families I worked with over five years told me stories of their migration, and I ended up researching and writing a lot about ideas of ‘home’ and ‘belonging. When I began to develop the characters for Tiger Skin Rug, it felt natural for me to write about a Hindu family moving to a new place.”

b) How did you research/find out about India?

“When I was in India, I travelled across the sub-continent, keeping a journal and writing screeds of letters home, packed with descriptions of the tastes, smells, sounds and colours I encountered. When I wrote Tiger Skin Rug, I revisited my old diaries and letters. The ethnography I wrote was for a PhD thesis – a big piece of work! – and involved a huge amount of research, which all helped in my fiction writing.”

c)  The house called ‘Greystanes’ that the siblings moved to in Scotland is quite distinctive. Was it inspired by ANY buildings you know?

Greystanes’ is based on two houses in Scotland that I know well – one of which is a very beautiful Anglo-Indian bungalow. Some of the descriptions also draw on childhood memories of my aunties’ house and their magical attic. There are a few other buildings across Scotland that fed into my thinking as I was writing – Dunrobin Castle is one.

Here is the author’s description of the house when they first arrive:

“Naniji let out a cackle of unexpected glee. The bungalow wasn’t an ordinary bungalow. It was huge and looming, with a deep verandah wrapped around its side like old houses in India, and a towering front door. The name ‘Greystanes’ was etched onto a pillar and a date – 1836 – chiseled into the stone above. ” p3

I also noticed how the patio doors in Greystanes house were used to good effect. With one character sometimes waiting outside to come in and the conjuring up of expectation and magic with the open or closing of curtains and/or a slight breeze blowing. Here are a couple of examples:
“I pressed in close to the glass. The wisps danced across the tigers skin. It was clear this time; this was no tick of the light….” p22
” The curtain flapped a little as if there was a breeze. I held my breath as the tiger began to shimmer and move.” p38
You can read my blog review here.
You can buy the book published by CranAchan Publishing here

Great picture books exploring: friendship, sharing and worries.

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Fair shares  by Pippa Goodhart and Anna Doherty

A heartwarming, fun and colourful picture book, with an important message about sharing. A bear and a hare both want a pear, but neither can reach them. In their attempt to do so they learn that ‘being fair’ doesn’t always mean ‘getting the same’.  I can see this being really popular with children aged 2 to 6 years and their parents/carers. The later whom will really appreciated the way it gives the reader more than one way to look at sharing. Great rhyming language, told in a way that young children will really be able to relate too, and an great twist at the end.

  The pictures are vibrant and colourful, making great use of orange, green and yellow. Ann Doherty the illustrator explains at the back page that that the art work was produced digitally, but she scanned textures she had made in pen and ink for the animals fur. The contrast between the two works brilliantly. There are also the most delightful end-pages.

You can find out more about publisher Tiny Owl the publisher and buy the book here. 

Thank you to Tiny Owl for a free copy of this book to review.

Oscar Seeks a Friend by Pawel Pawlak

Translated from Polish by Antonia Lloyd-Jones

A truly wonderful story about a friendship between a little girl and a Skeleton. The story has a delightful opening where a Skeleton has lost a tooth and is worried how he looks, then he finds a girl burying  a tooth.  It gently introduces the characters concerns and worries. As the story progresses they share experiences and show each other their worlds. The story is brought to life and transformed into a unique book by the colourful collage like pictures on every page. There are plenty of possibilities for children to be inspired to do their own art from these pictures. This book will help to open up conversations about friendship and encourage children to have the courage to reach out and  ask someone for something or to do something.  I am so glad that Lantana Publishing chose to translate this book from Polish so that English children can enjoy it too.

The book is published on 10th October. You can find out more about Lantana Publishing and buy the book here.

Also check out: Library Girl and Book Boys podcast interview with translator Antonia Lloyd-Jones.  In which Antonia tells us  that author and graphic artist Pawel Pawlak starts his ideas with the character and then the scene and the pictures usually come first  before the words. And Antonia talks about some of the challenges she faced translating the puns and hidden assumptions about Skeletons from Polish, and coming up with a new name for the character that would work in English.

Thank you to Lantana Publishing for a free copy this book to review, 

 

Thank Goodness for Bob by Mathew Morgan and Gabriel Aborozo

A story about a boy called Max, who has lot’s of worries and his dog Bob. In a way  children will really relate to the story explores some of the things kids worry about. It makes imaginative use of bubbles to put worries in. One day Max discovered Bob the dog is great at listening. And that by talking about his worries to someone that listens they do not feel as big anymore.  My favourites pages of the story is where the boy and the dog pop the worry bubbles together.  A great book to open up conversations about feelings and worries, but also great for a child to read alone, helping them to realise they are not the only one with worries and that sharing them with someone can help.

 

All the books are available from me at Readers that Care. And Oscar Seeks a friend is one of the hardback books available to my £40 a term members in my 2 for £10 termly offer.

 

Caged – a wordless picture book that makes you think

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I am a big fan of wordless picture books so was delighted to be given the opportunity to review Caged, written and illustrated by Duncan Annand and publishers Tiny Owl. Through simple but very effective drawings it explores issues of greed, freedom, our connection to nature, and the courage shown by individuals to help others. It is a book that would be great to share, either as a group or as individual’s that then feed back their responses. I also felt it might work particular well with children aged 9+years. Not having the right group of kids myself  I asked Shenaz Bagshaw to help. She shared the book with a couple of groups of year 5’s at St James CE Primary School in Northampton. The children loved the book. One of the main reasons was: “because it makes you think”. This is one of the clever things about this wordless picture book, it actively invites the reader to try and work out what is happening and to question.

The pictures are a wonderful combination of line drawings in black and white. These contrast with a single blue bird and the multi-coloured parrots. Some things the children said when Shenaz ‘read’ the first part of the story with them were:

  • “Why is the bird blue, and everything else just outlined?”
  • “The man’s clothes look like Willy Wonker”

From these two comments there are so many things you could explore and discuss further.

Along with spot on observations and descriptions of what they saw. There were some interesting questions raised by the kids about what they were seeing as the story unfolded:

  • “Are the men knocking down the trees to make paper from the wood?”
  • “The circle on the ground looks like a helipad – a helicopter is coming to collect the wood.”

What I love about these questions is how different ‘eyes’ can see different things in the same picture and also how as the story unfolded they were inspired to do try and work out both what was happening and why it was.

“At first they thought the men got rich from selling the wood, (they thought they must be rich because they were wearing posh clothes), but later they thought that they were clearing the trees to make space for the aviary and to destroy the colourful birds habit to make them easier to trap”. Shenaz Bagshaw

In the last stage of the story here are some of the comments the children made. I have omitted some comments as I don’t want to give away completely how the story ends!  After reading it they commented that “one person or bird can make a big difference.” 

  • “They have alcohol – they are celebrating capturing the birds.”
  • “The blue bird sits on the cage and it brakes  – he must be heavy!”
  •  “One bird saves maybe 50 birds……”

There is some great information and resources, about Caged, including a free downloadable freedom poster  on Tiny Owls website. Including some quotes from authors about why wordless books are so powerful:

“Wordless picture books give a starting point to create and invent a story, giving readers the confidence to embroider what they are saying. ” Elizabeth Laird 

 

 

 

 

There’s Room for Everyone – Anahita Teymorian

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From the front page it is almost as if this book is reaching out to hug you. In uncertain times this is exactly what this picture book does. It provides reassurance and hope. It is the first title in the publisher Tiny Owls ‘Hope in a Scary World’ series. Which aims to build up a collection of books which help children (and adults) who may feel frightened or worried about world events. It is written and illustrated by award winning Iranian author Anahita Teymorian.

On one level this is a simple tale about a boy who grows up with the acceptance he needs, who then notices as an adult that everyone around him is fighting for space big and small, and then reflects with some very sound advice that through kindness and acceptance we can make room for everyone.

It is supported by the most wonderful illustrations, which have been drawn by the author. For anyone who has followed me on twitter (@melissacreate15) you know how much I love children’s picture books, despite this I can honestly say I have never seen illustrations quite like this before. Each page is backed by a warm comforting colour palette, and the choice to draw people with over extended arms is really effective. As a couple of my bookish twitter friends have also said this is the kind of book you keep being drawn back to.

On another level there are multiple layers and overlapping messages.  Each reader may interpret things differently.  This book is suitable for younger children aged 5+ years, but it’s real power as a book that helps you make sense of the world and find hope may lie with older children, teenagers and adults.

It ‘s the possibility of multiple messages from this story that has made it challenging to write about this heartwarming, thoughtful and hopeful book. Below are some of my reflections on what this story means to me.

My personal RESPONSE this story

Reflecting on this story I found the piece at the back of the book in which the author explains where her ideas came from was useful. It was a response to the fighting in the world that is always on the TV and a desire to show that we can accept and make room for each other and show kindness – a desire to give a positive message as an antidote to all the uncertain things that are happening in the world.

In the first part of the story the boy is growing up, and at each stage in his development he uses an example of how there was always enough space. On another level this reflects what many parents feel when a child is born, that their house feels small and they wonder how they will make room. But, one does accommodate, adapt and find space and this space is re-negotiated as the child get’s bigger. At the same time a strong and powerful parallel is drawn to nature, where the author says “there is enough space for the stars” and the “birds in the garden.”. For me there is another message here of how taking time to notice and observe nature can both centre and calm us.

   

I love how as the boy grows up the scale of what he notices and sees gets bigger a bit like a child and young person’s expanding view of the world. So we go from space for all his toys to space for all the fish in the sea.

As he grows up he notices people are fighting for small and big spaces. And once  again the wonderful pictures add power and emotion to the words. In a world of uncertainties where so much has changed and is changing this story both acknowledges the existence of things that may make us feel scared or worried, whilst also providing us with the reassurance of the constant presence of nature. There is one thing we can control and that is we can choose to be kind to ourselves and to each other.

   

You can find out more and view a great video by the author on Tiny Owls website

You can purchase the book from me at Readers that Care or order it from a good local bookshop

Flight – Vanessa Harbour

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Sometimes you read a story that you enjoyed so much and which makes you think that you just need to write about it. Last  week that book was Flight by Vanessa Harbour. A thrilling epic journey which is both heartwarming and at times heart-wrenching.

I am a big fan of middle grade fiction with a journey narrative and of accessible historical fiction, and this does both brilliantly. It is a well paced exciting journey, with the strong sense of the threatening presence of  the Nazi’s adding to the risks and excitement and there are lots of horses!

It is a about a Jewish boy called Jakob who when he is orphaned takes shelter in a nearby stables. His guardian takes him on to look after the Lipizzanner stallions.  They are very famous horses owned by the Spanish Riding school of Vienna, who are renowned for their almost dance like dressage performances. When the horses become endangered Jakob and his guardian and a Roma girl called Kizzy set off on an epic journey across the countryside and over the mountains to safety.

I loved this story just as much as ‘Sky Chaser’ by Emma Carroll. Flight by debut author Vanessa Harbour is every bit it’s equal.  Each cut’s across genre, creating modern historical adventures that will appeal to readers of all ages. This book also reminded me of  ‘Running on the Roof of the World’ by Jess Butterworth, where Tash makes an epic journey with two Yaks across the Himalyas. Both stories bring a real strength to the journey narrative in that the main characters have to care for themselves and their animals.

Reading the story I got a real sense of what it might have been like to have lived in a Nazi occupied country in World War Two. The risks are especially high when you are a Jewish boy trying to sneak across country with a large group of highly prized horses! The story opens with Jacob hiding in a hayloft:

“If Jacob sneezed he could die, he passed a sweaty hand over his nose. Every part of him was shaking. He could hear his heart pounding in his ears….”

Early on you learn the power that the Nazi’s have when Jakobs favourite horse is shot. There is more to come, and because of this I would recommend Flight for children aged 9/10 years and older. However, having said that the constant presence of the Nazi’s is effectively integrated into the story in a way that you feel like you are really there At the same time the full impact is ‘softened’ a little for the reader, as is often the case in the very best of middle grade fiction.

The first two thirds of this story is fast paced with plenty of action to keep you reading as you want to find out what happens next. Then the excitement of the journey appears to be over and you are briefly left wondering what will happen in the rest of the story. Less experienced readers and/or children who prefer fast paced stories may need a little encouragement to get past this. The last one third of the story doesn’t disappoint. It is very clever. You get a hint of what life might be like for Jakob and Kizzy after their adventure and for horse fans there is an absolute treat to come!

Set within an exciting adventure with horses, is a running theme of prejudice, which is superbly handled by the author and leaves plenty to discuss. This includes: attitudes towards Jews in World War Two, and towards Roma children both then and now, and attitudes to women in sport at this time.

I really enjoyed reading this book and can’t wait to see what Vanessa Harbour writes next.

 

Nimesh Adventures – Ranjit Singh and Mehrdokht Amini

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I was delighted to receive a review of copy of Nimesh the Adventurer from Lantana Publishing. The illustrations in this book are gorgeous and really bring the story to life. Nimesh goes on many imaginative adventures on his journey home from school. The chatty conversation style keeps you engaged and wanting to find out where he goes next. Many of the pictures give insights into East Indian culture and it is great to see an Indian family being the focus of such an imaginative story.

The journey narrative was really effective. It reminds me of Emily Brown, by Cresida Cowell and Neal Layton. Nimesh Adventures will appeal to older children and adults too. It begins at the end of the school with Nimesh and his friends excitedly looking at a book about Dragons. This draws the readers in and is sure to capture the attention of even the most reluctant of readers. Nimesh then goes on a number of other imaginative journeys, including: swimming with sharks, the North Pole, meeting a guardsman for the Indian Maharaja’s, and a princess in the garden. I love how something ordinary is the inspiration for imaginative ideas. The picture on the wall of a shark, turns into a corridor full of sharks. And the dogs walking down the street turn into a dog sleigh at the North Pole.

The author Ranjit Singh is a British children’s author of East Indian heritage . The illustrations are drawn by Mehrdokht Amini an Iranian born illustrator.  They vividly capture the Indian culture whilst at the same time depicting many ordinary things that all children will identify with. There is lots of detail and clues for the reader to look for to help them to guess what will happen next.

This would be a great book to share with children of all ages. One to one this book could be shared with children as young as 4 years old. But, as a whole class read I think it has most potential from year2/year 3 upwards as there is so much to explore and possibilities for discussion. It could be used across the whole of KS2 and I think it even has potential as an inspiration for story writing in KS3.

You can buy copies from me at Readers that Care

Or direct from Lantana publishing’s website.

Blog Tour: Wilderness Wars, a conversation with Barbara Henderson

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I am delighted to have Scottish author Barbara Henderson back on my blog, having interviewed her about her first book Fir for Luck on my blog almost two years ago. Her third book is Wilderness Wars, an eco-thriller set on a remote Scottish Island. Which is a wonderful twist of several genres, survival on a remote island, family, and the developers ignoring the environment set the scene for what follows. The environment fights back and takes on a supernatural force of its own.  In all three of Barbara’s books she has shown that she clearly knows the natural environments of Scotland and has the skill to take her reader there. But, in Wilderness Wars she has absolutely nailed it. Striking a beautiful balance between character led prose and spot on description that you really feel like you are there, which combined with twist and turns and suspense is quite something.  The laying as the two main characters Em and Zac learn about themselves and begin to work out what is happening on the Island and the hints that perhaps something more than unlucky mishaps is going on is superb. I highly recommend it for everyone aged 9 years and above, including adults.

When I talked to you on my blog two years ago about your debut book Fir for Luck. You said one of your family holidays inspired the story, as you discovered a remote clearance village, which was the inspiration for your story.

  1. How have your family holidays to the Scottish Wilderness helped to inspire Wilderness Wars?

I am so lucky in that I live close to a lot of the types of places which helped to create the island world in Wilderness Wars. My base in Inverness can be annoying at times – any city is 2-3 hours away –  but you can drive for a very short time before you reach the sea, or the wilderness, or both. It’s one of the factors which drew us to the region. Holidays on Harris, with its white beaches and turquoise seas, Lewis, Mull, Iona, Skye, Islay, Assynt and Sutherland… all these played into the world I tried to create, and each memory contributed a little.

Some observations, such as seeing the seal move elegantly underwater from a hilltop, coral beaches and being dive-bombed by gulls are all directly lifted from holiday memories. I defy anyone not to be inspired by places like these – there is awe, but also a certain vulnerability as you realise how far you are from anywhere. Both are natural responses, and I hope that Wilderness Wars features a little of that balance.

In both Fir for Luck and Wilderness Wars there is a close connection with the characters to the land and they and their families depend on it for their survival. But, the context of Wilderness Wars is very different. It is not the people that are trying to stop them but nature itself.

  1. Tell me a more about the ways that nature fights back and how you selected the ways it does?

There is a lot more I could have done, a lot more facets of the wild world I could have included. The bottom line is, I wanted a slow escalation, so that initially, the setbacks for the building project would look like mishaps and accidents, before, without the reader realising it, we have moved into something a little bit more supernatural: the wilderness as a sentient force. So initially, the workforce on Skelsay have to contend with small accidents, freak weather, rodents, an inconvenient site for a protected species. If they run roughshod over these, as they do, there is an escalation until we are looking at the inevitable life or death showdown. I liked the fact that it begins with small, explicable things and I wanted to ask myself the question – if nature, as a whole, could fight back against our blinkered, short-sighted, selfish little meddling – what would it do?  It’s the classic Man-versus-Nature conflict, but with a bit of a moral twist.

In your opening chapters of Wilderness Wars you cleverly balance Em’s curiosity about the new environment she is going to live in, with another less friendly side, such as being pecked by seal gulls on the ferry and wild whether resulting in container being dropped in the sea.

  1. Can you explain more about how you balanced building up a picture of a ‘conspiring, sinister nature’ with Em and her friend Zac developing their understanding of the Island and a respect for the wilderness on the island?

It was really important to me that both sides should be shown – nature, respected and left to its own devices, is not a threat in the book. I love the wild landscapes and am definitely at my happiest and most peaceful when I am in such places. But in the book, the wilderness, threatened by thoughtless development and needless interference, certainly is dangerous.

It’s an element of the supernatural, designed to make a wider point about the way we make choices, questioning rather than scaremongering, I hope. The book ends on a very positive note, although I have to admit to terrifying myself with the chapters near the end.

But maybe Wilderness Wars can also be read as whatever you want it to be: a love letter to the wilderness, an adventure story in its own right, a book about integrity, isolation, friendship and finding your place in the world.

Goodness, that sounds a bit ambitious, but that’s my hope! Judge for yourselves readers…

 

Kaya’s Heart Song

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It was fantastic to be given a copy of Kaya’s Heart Song to review from the publishers Lantana Publishing. It is about a girl called Kaya, who lives in the Malaysian rainforest. This is her story of how she finds her own heart song. It is a heartwarming, joyful and beautiful story created by the combined talent of author Diwa Tharan Sanders and illustrator Nerina Canzi. As some of you may know I am quite used to reading and sharing wonderful stories with stunning illustrations, but there are few books I have read where the interplay between the two is so seamless it is as if they were one and the same thing.

At the start of the story Kaya has a conversation with her mother in which she explains if you quieten your mind you will find your heart song. Then she runs off to the rainforest.  This instantly reminded me of how spending time in nature helps me to quieten my own mind and to centre me. I was excited by the rainforest setting of this story which were so beautifully brought to life in vibrant colour by Nerina Canzi’s illustrations. As about 20 years ago I spent 3 months in the rainforest of Borneo (Eastern Malaysia), and it brought back some memories. However, what surprised me was how this story also reminded me of our family visits to local woodlands and of being in nature, when everything else is forgotten and you are just in the moment.

         

Kaya follows a butterfly and it takes her into a part of the rainforest she has not been to before. Where behind closed doors she finds an abandoned colourful Elephant carousel. Kaya’s first instinct is to climb onto the carousel and to start to uncurl the vines that are wrapped around it and whilst she does so her imagination wanders and her mind quietens and it is then that she finds her heart song and as her mother said is when ‘magic happens’.

Maya’s journey into the rainforest seems to reflect the human desire to explore and seek out new things, and that when you pause you sometimes see things differently too. I love how the story brings Yoga into the outdoors and opens up new interpretations of mindfulness which will resonate with many people, but perhaps especially those that enjoy spending time outdoors.

I would highly recommend this story to everyone aged 6 to 99 years. It may be suitable for some younger children. It is a heartwarming, thoughtful story that reminds us that when we do things we enjoy and immerse our selves in the moment, so that all other things are forgotten we can find peace, but also open ourselves up to new possibilities and maybe magic.

A final note:

For some children and adults this is a story that may need re reading and exploring before its message sinks in or the reader is able to interpret it in a way that is meaningful to them. In that respect my conversations with the author Diwa Tharan Sanders for my guest post on the Kaya Heart Song blog tour helped me to explore this book and what it meant to me. You can read it here.

Read my Kaya’s Heart Song Blog Tour Interview  with the author and learn some of the things that inspired her to write this great story here

Find out more about the author and illustrator and buy the book from Lantana Publishing website.

You can also order copies of the books from me at Readers that Care, and earn free books for you school at the same time.